mUltimate Chopin

Op. 28 No. 12, Prelude in G♯ minor

Text Compare Notes Sources Description
Select: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Importance
All
Important
Main
Undo Clear

b. 1

composition: Op. 28 No. 12, Prelude in G♯ minor

..

After Presto, in A one can see that the further part of the indication was crossed out, most probably con fuoco.

category imprint: Corrections & alterations; Source & stylistic information

issues: Corrections in A , Deletions in A , Changes of tempo markings

b. 1-8

composition: Op. 28 No. 12, Prelude in G♯ minor

..

In A (→FC) these bars are numbered from 1 to 8. Those digits were then used to mark b. 41-48 in an abridged manner. Fontana used the first two digits to mark in such a way b. 9-10 too, which resulted in GE omitting the accents and moving the cresc. from b. 10 to b. 11.

category imprint: Differences between sources; Source & stylistic information

issues: Abbreviated notation of A , Fontana's revisions

b. 1

composition: Op. 28 No. 12, Prelude in G♯ minor

before 3rd beat in A

after 3rd beat in FC (→GE)

on 3rd beat in FE (→EE)
..

The fact that the  mark was placed in FC (→GE) further probably results from an imprecise notation of A, in which the 3rd L.H. crotchet is under the 6th R.H. quaver, since its initial version was crossed out (it was probably a G-d fifth). Consequently, due to the  mark being so close to the next  mark, it seems that the pedal encompasses the entire bar. 

category imprint: Differences between sources

issues: Inaccuracies in FC

b. 1

composition: Op. 28 No. 12, Prelude in G♯ minor

..

The 4th quaver in FE is an erroneous f1, as a result of which the next quaver is also wrong – it is an e1 instead of an e1. A comparison with analog. b. 9, 41 and 49 suggests a mistake; another argument is the presence of a , completely unjustified before f1. The mistake was rectified in EE; a corresponding correction is also in FED.

category imprint: Interpretations within context; Differences between sources

issues: Annotations in teaching copies , EE revisions , Errors in FE , Annotations in FED

b. 3

composition: Op. 28 No. 12, Prelude in G♯ minor

..

In A (→FE,FC→GE) there is no  restoring g1 on the 3rd crotchet in the bottom R.H. voice. The mistake was noticed only in EE.

category imprint: Differences between sources; Editorial revisions

issues: EE revisions , Omissions to cancel alteration , Errors of A , Errors repeated in GE , Errors repeated in FE